Clarice, 2014
RA-4 and incisions on emulsion-coated polyester
86x76 cm

Fedora, 2016
RA-4 and incisions on emulsion-coated polyester
200×127 cm


Fedora, 2016
RA-4 and incisions on emulsion-coated polyester
200×127 cm

(detail)
Tecla, 2016
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm
Tecla, 2016
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm

(detail)
Irene, 2016
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm
Irene, 2016
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm
(detail)
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm



Olinda, 2016
RA-4 and incisions on emulsion-coated polyester
175×106,5 cm
Pirra, 2016
RA-4 and incisions on emulsion-coated polyester
106,5x73,3 cm



Smeraldina, 2015
RA-4 and incisions on emulsion-coated polyester
86x76 cm



Cloe, 2015
RA-4 and incisions on emulsion-coated polyester
86x76 cm
Laudomia, 2016
RA-4 and incisions on emulsion-coated polyester
200×127
(dyptich)




Ottavia, 2015
RA-4 and incisions on emulsion-coated polyester
86x76 cm



Ersilia, 2014
RA-4 and incisions on emulsion-coated polyester
86x76 cm



Eudossia, 2014
RA-4 and incisions on emulsion-coated polyester
86x76 cm
Raissa, 2016
RA-4 and incisions on emulsion-coated paper
80x60,5 cm



Aglaura, 2016
RA-4 and incisions on emulsion-coated paper
180x30 cm
(dyptich)



RA-4 and incisions on emulsion-coated polyester
Isaura, 2015
RA-4 and incisions on emulsion-coated polyester
86x76 cm
Pentesilea, 2016
RA-4 and incisions on emulsion-coated paper
40×30,5 cm



Cecilia, 2016
RA-4 and incisions on emulsion-coated paper
40×30,5 cm
Bersabea, 2016
RA-4 and incisions on emulsion-coated paper
40×30,5 cm
Procopia, 2016
RA-4 and incisions on emulsion-coated paper
40×30,5 cm








Le città invisibili sono opere pittoriche realizzate in camera oscura attraverso emulsioni chimiche e incisioni su poliesteri. Il progetto è incentrato sulla complessità e disordine della realtà narrati ne Le città invisibili di Italo Calvino, i cui racconti di luoghi immaginari e paradigmatici si intersecano e si proiettano nella società contemporanea, dove tutto sembra apparentemente “levigato”, ma che in realtà, questa levigatezza, spesso cela una spaventosa decadenza sociale. Ma queste "città invisibili" come spiega Italo Calvino, "sono anche un'indagine alle ragioni segrete che portano gli uomini a vivere certi luoghi, al di là di tutte le crisi. Le città sono un insieme di tante cose: memoria, desideri, segni di un linguaggio; luoghi di scambio, non soltanto di merci, ma anche di parole, desideri e ricordi”.









Le città invisibili comprises paintings created in the darkroom through chemical emulsions and incisions on polyester. The project focuses on the complexity and disorder of reality as narrated in Italo Calvino’s Invisible Cities, whose accounts of imaginary and paradigmatic places intersect with and project themselves onto contemporary society, where everything appears superficially “smooth”, yet this very smoothness often conceals a disturbing social decay. As Italo Calvino explains, these “invisible cities” are also “an inquiry into the secret reasons that lead people to live in certain places, beyond all crises. Cities are an aggregate of many things: memory, desires, signs of a language; places of exchange, not only of goods, but also of words, desires, and memories.”












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